Printer-friendly version

This glossary contains definitions for words used throughout the website.  If you have a suggestion of a word that should be included here, please e-mail me at tim@mr-anderson.com.



Browse the glossary using this index

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O
P | Q | R | S | T | U | V | W | X | Y | Z | ALL

Page: (Previous)   1  2  3  4  5  6  7  8  9  (Next)
  ALL

I

:
A question that asks a responder to draw a conclusion.
:

A verb that is usually introduced by to. The infinitive may be used as a noun or a modifier.

:
The process or result of changing the form of a word to express a syntactic function without changing the word's grammatical class, as run to ran or runs.
:
Works of nonfiction such as transcripts, reports or journals.
:
rhymes inside the lines, or a word inside a line that rhymes with a word at the end of a line
:
A sentence that asks a question or makes an inquiry.
:
The rise and fall of a voice pitch.
:
The recognition of the difference between reality and appearance; includes situational irony in which there is a contrast between what is intended or expected and what actually occurs; verbal irony in which there is a contrast between what is said and what is actually meant; and dramatic irony in which words or actions are understood by the audience but not by characters.
:
An exception to a linguistic pattern or rule, as good, better, best are exceptions to the usual -er, -est pattern of comparatives and superlatives in English.
:
a fourteen-line poem of an octave and a sestet. Abba abba cde cde

L

:

The systematic use of sounds, signs and symbols as a method of communication; in writing, the choice of words used to convey meaning.

:
a five-line nonsense poem, mostly in anapest, rhyme scheme aabba. Lines one, two, and five have three feet, but lines three and four have only two feet.
:
The vantage point in which a narrator tells the story in the third person but often confines himself or herself to what is experienced, thought and felt by a single or limited number of characters.
:
The actual meaning of a word or a phrase.
:
A component of a piece of literature such as plot or setting in a story.

M

:
The gist of a passage; the central thought; the chief topic of a passage expressed or implied in a word or phrase; the topic sentence of a paragraph; a statement in sentence form which gives the stated or implied major topic of a passage and the specific way in which the passage is limited in content or reference.
:
Array
:

A means of communication, especially of mass communication, such as books, newspapers, magazines, radio, television, motion pictures and recordings.

:
1. A word that refers to a part of what another word refers to

  • in the relationship between leg and ankle, ankle is a meronym
  • in the relationship between brim and hat, brim is a meronym.
2. A term midway between two opposites
Examples:
  • flat between convex and concave
  • present between past and future.
• From Greek meros (=part).
:
A figure of speech in which an implied comparison is made between two unlike things (e.g., he's a tiger).
:
the pattern of rhythm of syllables.
:
A word designates something by the name of something associated with it

Examples:
  • the Crown referring to the monarchy
  • the bottle referring to alcohol
  • the White House for the US executive branch.
• From Greek meta (=change).
:
A name derived from the name of one's mother, or another female ancestor.

From Greek metros (=mother).
:
An extended speech in a drama or a narrative that is presented by one character.
:

The feeling or atmosphere that a writer creates for a reader; a reflection of an author's attitude toward a subject or theme.

:
an inducement or incentive to action; in a story, the psychological or social factors that drive character action

N

:
One of the four traditional forms of composition in speech and writing that tells a story or gives an account of something, dealing with sequences of events and experiences, though not necessarily in strict order.
:
Array
:
A delicate shade of difference.

O

:
The vantage point in which a narrator is removed from the story and knows everything that needs to be known.

Page: (Previous)   1  2  3  4  5  6  7  8  9  (Next)
  ALL